Tag Archives: patrick thornton

Uzbeki reccy makes cash dash Sting sing-song ding dong (and Selection Box Shows 124 & 125)

I was at a loss to decide what would accompany this week’s playlist at first.  I like to throw something out that might be of interest rather than just chucking a list of names whenever I post on here, but this week I was struggling to find inspiration.

Thankfully, you can always rely on Sting.  If in doubt, have a pop at the artist formerly known as Gordon Sumner for his latest buffoon statement or glass-chewingly bad venture into 20 minute lute plucking.  Finding reasons to have a pop a Sting is a bit like shooting fish in a barrel – this is a man, after all, who bashed out the most pretentious album title of all time in the shape of the frankly vomitous Dream of the Blue Turtle, claimed to be “a bit hot” at The Brits as an excuse to take his top off and believes that “cancer is the result of undigested dreams“.  The last few weeks, though, the tantric tosser has excelled himself.  Not only did he announce a tour of his hits, reworked for a full orchestra (which begs the question; who the bloody hell wants to hear that? [answer: Sting does]) but it was also revealed that he happily played a gig of questionable validity, proving himself not only to be an utter dick of the first order, but in addition to this he’s either a mercenary little turd who can be bought for the right price, or else a man so interned in his own cosy little world he can’t recognise a decent counter argument when it’s rammed up his Roxanne.

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Selection Box – it’s as easy as 123 (and 122)

Someone keeps speeding up time and dashing away all the time to update Selection Box’s legions of fans (and indicators suggest that could be up to as many as three people) as to what tracks it is that they’ve heard on the show, even though I’ve told them all during the programme. Pay attention, cloth-ears.

Thatll never work.

That'll never work.

Selection Box show 122 was marred by the infuriating skipping of one of them new-fangled compact disc contraptions. They’re going to replace vinyl and tapes, apparently, but I can’t see them catching on. This particular “CD” – as I believe they’re snappily referred to – seemed determined not to play the full glory of The Monster Mash– Bobby Boris Pickett & The Crypt Kickers’ example of one of those rarest of beasts – a comedy song which is a genuinely great record. Continue reading

Selection Box playlist – shows 117, 118, 119, 120 & 121

Ruddy hell, I really do have rather a lot to catch up on.  Forgive my tardiness, Pop Kids, but Mrs Selection Box went and done gone popped one of them babies out of her selection box, so time spent writing blogs is time which could be spent sleeping or else improving the already first rate thousand yard stare.  However, it does mean that the listener figures for my show have increased, albeit by only one.

So, in the interim we’ve had the usual mix of splendid tunes, my self-imposed embargo of the phrase “so, yes” and the annual delve into Christmas tunes, which is now about as relevant to proceedings as Tony Blair’s comments about Iran were to the question of whether or not he is a lying bastard.  Ooh, lidlbiddapolitics.

We also seem to have lost young mentalist Adam Wells from BCB in the last few weeks, which I didn’t know anything about until reading it here.  It appears he’s swanned off to my old stomping ground of That Fancy London.  So long Adam, and thanks for all the gin.

Anyway, this isn’t about that.  It’s about this:

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Selection Box Shows 114, 115 & 116

Sometimes I feel like throwing my pants up in the air.  I know I can count on you.

And in turn you can count on me to forget several things in the space of a week.  One such thing is to remember to put my ruddy playlist up, hence the three week catch-up.  Another thing was the name of Florence & The Machine, whose moniker completely escaped me whilst on air and never returned for several days.  She gone done a cover version of You Got The Love which I opened with last week which is now out as a single.  However, I’d recommend you avoid it on account of the fact that it’s horrid.  The whole world seems to love Florence’s warblings bar me, though this is the first track I’ve heard that I’ve actively disliked.  The rest fills me with the dreaded apathy.  Oddly enough, it’s strangely forgettable.

But this appears to be an unwarranted sleight at someone whose name I’ve been rude enough to slip my mind, so let’s bugger that train of thought off and get on with the playlists…

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