Author Archives: Patrick

Saltaire Live 2010 (and Selection Box 131)

Only a wazzock would begin a blog entry about what he played on his radio show this week by discussing a band whose wares he failed to commit to the airwaves.  I am that aforementioned hitherto hypothetical wazzock.  I had all good intentions of playing Salsa Celtica on this week’s programme, and then when the weekly task of packing the record bag full of goodies in preparation for the programme came along, I just plain forgot.  If you see me on the street, feel free to point and boo me for my continued enslavement to lacksadaisy.

The timing of the proposed play was imperative, as it was meant to serve as a “heads up” – as I believe trendy people say – to the fact that Salsa Celtica, who released their new live album En Vivo En El Norte on 19 April, are set to play at Victoria Hall this coming weekend as a part of this 2010’s Saltaire Live.

Salsa Celtica play the Saltaire Live festival this weekend.

Salsa Celtica - only one of them was expecting rain.

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Cope, Arrowsmith & McLaren: Selection Box Shows 128, 129 & 130

After a false start a little while ago, Brigadeer Phillip Agnostin D’Argtanian Tannoy Gargle Pissflap Cope III plonked his posterior into the guest chair for Selection Box 128.  I continually say that I am not going to keep noting the number of the show we’re on, as its something I only mark out for my own probably-autistic filing purposes.  And yet I continue to announce how many of these by-the-seat-of-the-pants produced pillock presented programmes we’re up to now.  Still, worth noting that in around four months we’ll (and that’s very much the royal “we”) be up to 147 shows.  Perhaps I’ll have a snooker-themed special to celebrate.  Chas & Dave have retired now, so that’s them out the window as potential session guests, but no doubt referee Len Ganley knows how to tap a triangle on cue, so that’s a part of the rhythm section sorted.  Actually, he’s probably dead now I think about it.  I do know that Steve Davis is a prog rock aficianado, so perhaps this isn’t as daft an idea as it first seemed.  The only problem I foresee is that personally I find the majority of prog a bit too, well, shit to play on air.

Yours truly (right) and Phil Cope clearly have nothing in common.

Yours truly (right) and Phil Cope clearly have nothing in common.

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Selection Box 126 & 127

Selection Box in 2010 seems to have become an inordinately fractured affair.  Having been sidelined due to maleness a few weeks ago for International Women’s Day (solidarity, sisters), Selection Boxes 126 & 127 were separated by a an unscheduled hiatus due to spectacular bout of viciously violent vomiting and Olympic-standard diarrhoea.  Fear not, I will spare you the gruesome details, except to say that bizarrely this stems back nearly two years ago to a visit to Ireland when I accidentally poisoned myself on a daffodil, and somehow repeating this trick a few weeks ago despite best efforts to avoid the yellowy little buggers.  It takes a special type of idiot to poison yourself on a daffodil.  It takes a spectacular pillock to manage to repeat the trick.  Hello there.

If you want to murder me, now you know how to do it.  But please dont - I have a child and a wife and a full biscuit tin.

If you want to murder me, now you know how to do it. But please don't - I have a child and a wife and a full biscuit tin.

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Uzbeki reccy makes cash dash Sting sing-song ding dong (and Selection Box Shows 124 & 125)

I was at a loss to decide what would accompany this week’s playlist at first.  I like to throw something out that might be of interest rather than just chucking a list of names whenever I post on here, but this week I was struggling to find inspiration.

Thankfully, you can always rely on Sting.  If in doubt, have a pop at the artist formerly known as Gordon Sumner for his latest buffoon statement or glass-chewingly bad venture into 20 minute lute plucking.  Finding reasons to have a pop a Sting is a bit like shooting fish in a barrel – this is a man, after all, who bashed out the most pretentious album title of all time in the shape of the frankly vomitous Dream of the Blue Turtle, claimed to be “a bit hot” at The Brits as an excuse to take his top off and believes that “cancer is the result of undigested dreams“.  The last few weeks, though, the tantric tosser has excelled himself.  Not only did he announce a tour of his hits, reworked for a full orchestra (which begs the question; who the bloody hell wants to hear that? [answer: Sting does]) but it was also revealed that he happily played a gig of questionable validity, proving himself not only to be an utter dick of the first order, but in addition to this he’s either a mercenary little turd who can be bought for the right price, or else a man so interned in his own cosy little world he can’t recognise a decent counter argument when it’s rammed up his Roxanne.

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It’s not just about BCB – Save BBC 6Music

It may seem a rum do to use these BCB pages to promote another network, but the proposed closure of BBC’s digital station 6Music will be a great loss to new artists and music lovers alike, and anyone who enjoys Selection Box or indeed any of the other BCB specialist music shows should do everything in their power to show the BBC that any decision to close down 6Music should be reversed.

For further details as to how to join the campaign, go to http://www.love6music.com/ and sign the petition, join the Facebook group and also follow my example and complain to the BBC.

I have submitted my complaint to the BBC this evening.  Here is my complaint in full:

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Selection Box – it’s as easy as 123 (and 122)

Someone keeps speeding up time and dashing away all the time to update Selection Box’s legions of fans (and indicators suggest that could be up to as many as three people) as to what tracks it is that they’ve heard on the show, even though I’ve told them all during the programme. Pay attention, cloth-ears.

Thatll never work.

That'll never work.

Selection Box show 122 was marred by the infuriating skipping of one of them new-fangled compact disc contraptions. They’re going to replace vinyl and tapes, apparently, but I can’t see them catching on. This particular “CD” – as I believe they’re snappily referred to – seemed determined not to play the full glory of The Monster Mash– Bobby Boris Pickett & The Crypt Kickers’ example of one of those rarest of beasts – a comedy song which is a genuinely great record. Continue reading

Selection Box playlist – shows 117, 118, 119, 120 & 121

Ruddy hell, I really do have rather a lot to catch up on.  Forgive my tardiness, Pop Kids, but Mrs Selection Box went and done gone popped one of them babies out of her selection box, so time spent writing blogs is time which could be spent sleeping or else improving the already first rate thousand yard stare.  However, it does mean that the listener figures for my show have increased, albeit by only one.

So, in the interim we’ve had the usual mix of splendid tunes, my self-imposed embargo of the phrase “so, yes” and the annual delve into Christmas tunes, which is now about as relevant to proceedings as Tony Blair’s comments about Iran were to the question of whether or not he is a lying bastard.  Ooh, lidlbiddapolitics.

We also seem to have lost young mentalist Adam Wells from BCB in the last few weeks, which I didn’t know anything about until reading it here.  It appears he’s swanned off to my old stomping ground of That Fancy London.  So long Adam, and thanks for all the gin.

Anyway, this isn’t about that.  It’s about this:

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Joe McElderry v Rage Against The Machine

I think we’re supposed to be taking sides for the current race for the prize of Christmas Number 1.  Presumably if you prefer your pop music to not be a chicken-in-a-basket piece of mediocrity spooned-fed to us from the scraps of a four month TV talent show, then I guess you’re supposed to be hoping that the spoiling tactics of the Facebook-generated campaign to get Rage Against The Machine to top the charts this yuletide will succeed.

Personally, I couldn’t give a baboon’s red bum as to which of the two records hits the top, as this competition is flawed for several reasons.  The primary one is that neither song is actually very good.

The viable alternative to a poor record ought to be a ruddy good one.  If last year’s X Factor had any positive outcome it was that new people were introduced to the works of Jeff Buckley, as sales of his version of Leonard Cohen‘s Hallelujah rocketed as people gave a group meh at Alexandra Burke’s overblown rendition.  If only a single person discovers the majesty of the Grace album that would not have done previously, then something wonderful has come from a televisual and musical pile of arse.

As a man now in his mid-30s, I am of the right age to have bought the Rage Against The Machine record the first time around.  Or indeed have taped the album off of a mate at the very least.  I did.  The tape is still tucked up in a drawer at the top of my house, with the inlay card appropriately crafted with some sort of made-up teenage font to make it look boss.  I thought it was great, and my teenage self pogoed at the indie discotheques countless times.

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Say Hello To Quincy Jones For Me: The Michael Jackson Seance

A few weeks ago Sky 1 broadcast one of the most extraordinary bits of television I have ever seen.  For all the wrong reasons.

Fronted by cheese grater-throated annoyance June Sarpong, the channel visited a country retreat in Ireland used occasionally by the late self-styled King of Pop Michael Jackson in the hope that slick-haired scouse medium Derek Acorah could reach to the other side and speak to the former chimp guardian.

This man wouldnt lie to us, surely?

This man wouldn't lie to us, surely?

Now, it’s not for me to tell you whether to believe in other worlds, life after death or even copper bracelets for rheumatism.  However, Sky 1’s preposterous televisual event says far more about the nature of fan obsession for our idols than it does about either our belief structures or about Jackson’s contribution to his chosen artistic field.

I’m personally of the view that Jackson’s masterpiece is his 1979 album Off The Wall, recorded when he was just 21 years old.  Blending the dance grooves of disco explored with The Jackson 5 with a greater level of sophistication and less bubblegum its as good a dance record as you could ever wish to hear.  It even has the added bonus of sticking the two duff tracks next to each other so you can nip past them both easily enough, even on vinyl.

The follow-up,  Thriller, is largely known to anyone with ears (with all due deference to the deaf, obviously) being as it is the biggest selling album of all time.  It is largely lauded as his greatest work, but for me it cites the beginning of the end as it creates the power pop sound which would become his own personal oeuvre and one from one he would never again stray.  Ultimately it saw the quality of his music rapidly becoming governed by the dreaded law of diminishing returns.

Now, you don’t need me to tell you what you do and don’t like about Jackson’s output – you should already know yourself and if you don’t, well, you should grow a backbone and an opinion, by jiminy.  However, I give my view largely to demonstrate that whilst my reaction to the premature death of His Nibs Jackson was not an entirely dispassionate one, I’m also not someone who believes the world will never ever be the same again because a middle-aged man will never again grab his knackers and slide backwards in a hat.  With white socks on.  A man who made some really very good records indeed has passed away.  You’ll find this happens a lot as the years go by.

However, when an artist with quite as many adoring fans keels over suddenly with a dodgy ticker, the media seem determined to use this adulation to pick at some sort of surreal scab on the public’s consciousness.  And Jackson’s fans have more scabs than most, and goodness aren’t they surreal.  The tales of oxygen tent slumbers, face hue hubris, monkey tennis and Kublha Khanesque living arrangements are now legendary, not to mention the lurid tales and disturbing unanswered questions about his sexual appetites.

Ultimately, the myth of the man – good or bad – becomes greater than either the work or indeed the person about whom the myth has been created.  Actually watch any interview with Michael Jackson closely and you’ll realise the bloke himself was actually probably a bit of a dullard.  There’s only so much chit chat you could have with him about how much he loves the world and how beautiful everyone is before you were crying out for a conflab about the merits of playing 4-4-2 with either Hargreaves or Barry as the holding midfielder and calling each other a massive twat.  I can’t really see Michael – as all fans seem to refer to him with an exaggerated familiarity – being one up for a lot of jovial mud-slinging, a pint of brown booze or an over-competitive game of 5 a-side.  Then again, he did turn up that time at Exeter City, so you never know.

And yet, we all love a tale of Michael Jackson mentalism, and we’ve been gorging on the stories of baby dangling, loose noses, marriages to spawn of Elvis and, yes, kiddie diddling for a considerable length of time.  The photographs of the Neverland Ranch auction which was due to be held just a few months before his death were frankly marvellous.  No matter what the truth of Jackon’s life, those of us with a insatiable desire for ludicrous overblown tales of a barmstick pop star to have a good laugh at and prod fun will always look to the most famous and the most extreme examples of pantomimic pifflery for their kicks.

One of the many many many treats on view at the Neverland auction

One of the many many many treats on view at the Neverland auction

But with this, and herein lies the rub, is that when the person’s myth has become so large for us all to feast on, so too does the extremities to which those who idolise him or her will go to defend their deity.  They also personalise this defence for themselves.  Michael touched their souls, so an attack on him is a direct attack on them.  This in turn means that the opportunity to come close to their object of their obsession is like giving an alcoholic the key to an off licence and telling them to go for it, son.

And so it was with the three superfans that were invited to share the seance with Sky 1.  Michael was a superstar.  Michael was a genius.  Good grief, Michael is and was God to these people.  And for them, Nietzsche be damned;  God is not dead.  A heart attack can’t stop the power of a deity.  Michael Jackson is and was everything to these people.  Two of them actually made a living from pretending to be him.  Both of them were white men, incidentally, and for some reason this didn’t seem to be offensive.  Perhaps there’s a future for The Vitiligo & White Minstrel Show on Saturday evening telly.

There’s plenty to sneer, point and laugh at during this quite barmy broadcast – and rest assured I’ll be sure to poke fun before we’re done here – but the inclusion of these three fans was not just wincingly embarrassing, but deeply unethical.  It doesn’t take Dr Anthony Clare to surmise that the three saps who sat around that table with Derek Acorah were not entirely mentally stable.  Whipping up three mentally ill people into a blubbering tearful hysteria by focusing on the very person their obsessive world view is built upon is a highly questionable practice.

Or at least it is if Sky 1 categorically did not contact the spirit of Michael Jackson.  Which they didn’t.  They really didn’t.  Anyone not living in a fantasy world could clearly see that.  There’s barely an ounce of this lunacy which makes a remote bit of sense.  First of all there’s the suggestion that visiting a place where Michael Jackson occasionally went for a quick holiday is the perfect place to summon him up from the other world.  If spirits have connections to people and places, you don’t think perhaps his house might have been a more likely place?  And perhaps bring along a member of his family or someone who knew him rather than a pair of wazzocks dressed up to look like how he might be appear after a car crash and a woman who doesn’t know what a hairbrush is.

Still, anywhere we go we can find Michael, surely.  Just ask voice of reason David Guest.  Michael was a spiritual person, so his spirit will be in the ether.  And he believed in ghosts.  It runs all through his work, you know, the link to the paranormal.  Because he did Thriller.  Sorry, run that past me again, David.  Thriller is proof of Michael’s obsession with another world.  Apparently.  Not a pop song about scary films, then.

Michael Jackson as he looks in the afterlife

Michael Jackson as he looks in the afterlife

Lest we forget Dr Matthew Smith, the overseer of the seance who claims to be a Parapsychologist.  I can’t claim to know whether Dr Matthew has a real a PhD or if he bought it off a website, but what I do know is that his title of Parapsychologist is utterly meaningless and has no basis in science whatsoever.  His job here is to steer Derek into the bollocks blah they’ve clearly planned in rehearsal.  Extraordinarily, Dr Matthew tells Derek that “we’re running out of time” towards the end.  They have to wrap it up because their hour slot is over.  I’m sorry, what?  Correct me if I’m wrong, but aren’t we supposedly talking to the dead here?  Not only a dead person, but arguably the most famous dead person (not in) the world.  I’m not sure what’s on Sky 1 after this, but surely repeats of 24 or the new episode of Family Guy can wait whilst The Most Amazing Thing That Has Ever Happened Ever Ever Ever is taking place?  Commerical can breaks be damned when ghosts fancy a chat.  But no, we have to stick to the schedule.  No one is bigger than television.  Not even Michael Jackson.

Michael Jackson Seance part 1

Michael Jackson Seance part 2

Michael Jackson Seance part 3

Michael Jackson Seance part 4

Michael Jackson Seance part 5

Selection Box Shows 114, 115 & 116

Sometimes I feel like throwing my pants up in the air.  I know I can count on you.

And in turn you can count on me to forget several things in the space of a week.  One such thing is to remember to put my ruddy playlist up, hence the three week catch-up.  Another thing was the name of Florence & The Machine, whose moniker completely escaped me whilst on air and never returned for several days.  She gone done a cover version of You Got The Love which I opened with last week which is now out as a single.  However, I’d recommend you avoid it on account of the fact that it’s horrid.  The whole world seems to love Florence’s warblings bar me, though this is the first track I’ve heard that I’ve actively disliked.  The rest fills me with the dreaded apathy.  Oddly enough, it’s strangely forgettable.

But this appears to be an unwarranted sleight at someone whose name I’ve been rude enough to slip my mind, so let’s bugger that train of thought off and get on with the playlists…

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